{"id":22320,"date":"2025-12-18T18:00:43","date_gmt":"2025-12-18T16:00:43","guid":{"rendered":"https:\/\/turunmusiikkijuhlat.fi\/?post_type=tapahtuma&p=22320"},"modified":"2026-11-03T14:34:44","modified_gmt":"2026-11-03T12:34:44","slug":"vivaldi-juditha-triumphans","status":"publish","type":"tapahtuma","link":"https:\/\/turunmusiikkijuhlat.fi\/sv\/handelse\/vivaldi-juditha-triumphans","title":{"rendered":"Vivaldi: Juditha triumphans"},"content":{"rendered":"[vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”none” equal_height=”yes” content_placement=”middle” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” centered_text=”true” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” font_color=”#1d4754″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” max_width_alignment_desktop=”default” max_width_alignment_tablet=”inherit” max_width_alignment_phone=”inherit” advanced_gradient_angle=”0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” 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max_width_alignment_tablet=”inherit” max_width_alignment_phone=”inherit” advanced_gradient_angle=”0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” gradient_type=”default”][vc_custom_heading text=”VIVALDI” font_container=”tag:h1|text_align:left|color:%23bc9634″ use_theme_fonts=”yes”][vc_custom_heading text=”JUDITHA TRIUMPHANS” font_container=”tag:h2|text_align:left|color:%23bc9634″ use_theme_fonts=”yes”][vc_custom_heading text=”18.12.2026 | 18:00″ font_container=”tag:h4|text_align:left|color:%23ffffff” use_theme_fonts=”yes”][vc_custom_heading text=”Fuga, Konsertsalen” font_container=”tag:h4|text_align:left|color:%23ffffff” use_theme_fonts=”yes”][nectar_btn size=”medium” open_new_tab=”true” button_style=”regular” button_color_2=”Extra-Color-1″ icon_family=”none” text=”Biljetter” margin_top=”30″ margin_right=”15″ url=”https:\/\/liput.musiikkitalofuuga.fi\/fi\/buyingflow\/tickets\/15596\/”][nectar_btn size=”medium” button_style=”regular” button_color_2=”Extra-Color-3″ icon_family=”none” text=”Info” margin_top=”30″ url=”#info” margin_left=”0″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”50px” column_direction=”default” column_direction_tablet=”column_reverse” column_direction_phone=”column_reverse” scene_position=”center” top_padding=”3%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color=”#1d4754″ background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” font_color=”#ffffff” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” max_width_alignment_desktop=”default” max_width_alignment_tablet=”inherit” max_width_alignment_phone=”inherit” advanced_gradient_angle=”0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” gradient_type=”default”][vc_custom_heading text=”Program” font_container=”tag:h4|text_align:left|color:%23ffffff” use_theme_fonts=”yes”][vc_column_text max_width=”600″ text_direction=”default”]Julia Lezhneva<\/strong>, sopran (Vagaus)
\nMarianne Beate Kielland<\/strong>, mezzosopran (Juditha)<\/span>
\nSonja Runje, <\/strong>alt (Holofernes)
\nErika Baikoff, <\/strong>sopran (Abra)
\nArnaud Gluck, <\/strong>kontratenor (Ozias)
\nHelsingfors Barockorkester<\/strong>
\nSpira Ensemble<\/strong>
\nKammark\u00f6ren vid \u00c5bo konservatorium<\/strong>
\nAapo H\u00e4kkinen<\/strong>, dirigent
\nEsko Kallio<\/strong>, k\u00f6rtr\u00e4ning<\/p>\n

ANTONIO VIVALDI (1678\u20131741):<\/strong>
\nJuditha triumphans devicta Holofernis barbarie, RV 644 (1716)[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” font_color=”#1d4754″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” max_width_alignment_desktop=”default” max_width_alignment_tablet=”inherit” max_width_alignment_phone=”inherit” advanced_gradient_angle=”0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” gradient_type=”default”][vc_row_inner column_margin=”30px” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bottom_padding=”3%” top_padding_phone=”10%” constrain_group_5=”yes” bottom_padding_phone=”10%” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”padding-5-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color=”#bc9634″ background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” advanced_gradient_angle=”0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” gradient_type=”default”][vc_custom_heading text=”Biljetter 44\u201359 \u20ac” font_container=”tag:h4|text_align:center|color:%23ffffff” use_theme_fonts=”yes”][vc_custom_heading text=”L\u00e4ngd 2 h 30 min, 1 paus” font_container=”tag:h4|text_align:center|color:%23ffffff” use_theme_fonts=”yes”][\/vc_column_inner][\/vc_row_inner][vc_column_text text_direction=”default”]Antonio Vivaldis<\/strong> Juditha triumphans<\/em> \u00e4r ett str\u00e5lande m\u00e4sterverk inom barockens vokalmusik: en s\u00e4llsynt p\u00e4rla som f\u00f6renar drama, virtuositet och poetisk sk\u00f6nhet till en oemotst\u00e5ndlig helhet. Under ledning av Aapo H\u00e4kkinen<\/strong> v\u00e4cker Helsingfors Barockorkester<\/strong> detta venetianska oratorium till liv i en konsert som hyllar barockens prakt och Vivaldis outt\u00f6mliga fantasi.<\/p>\n

Juditha triumphans \u00e4r Vivaldis enda bevarade oratorium och representerar h\u00f6jdpunkten i komposit\u00f6rens vokala produktion. Ariorna \u00e4r fulla av glittrande koloraturpassager och h\u00e4pnadsv\u00e4ckande vackra melodier, som l\u00e5ter s\u00e5ngarnas skicklighet och uttrycksfullhet lysa. Vivaldis instrumentering \u00e4r exceptionellt rik och uppfinningsrik: orkestern inkluderar mandoliner, viola d’amore och en gambaensemble, som skapar en unik, f\u00e4rgstark ljudv\u00e4rld f\u00f6r verket.<\/p>\n

Oratoriets musik lyser av b\u00e5de heroisk kraft och k\u00e4nslighet. Dramatiska v\u00e4ndningar, meditativa stunder och briljanta klimaxer v\u00e4xlar i en sp\u00e4nd atmosf\u00e4r och h\u00e5ller lyssnaren f\u00e4ngslad fr\u00e5n b\u00f6rjan till slut. Solisterna Julia Lezhneva, Marianne Beate Kielland, Sonja Runje, Erika Baikoff och Arnaud Gluck<\/strong> v\u00e4cker ber\u00e4ttelsen till liv och tillf\u00f6r m\u00e4nsklig djup, medan Helsingfors Barockorkesters livliga klang st\u00f6der helheten med ljus energi.<\/p>\n

Denna konsert erbjuder en s\u00e4llsynt m\u00f6jlighet att uppleva Vivaldi n\u00e4r han \u00e4r som b\u00e4st: barockdrama, virtuositet och komposit\u00f6rens gr\u00e4nsl\u00f6sa fantasi f\u00f6renas i en glittrande kv\u00e4ll. Juditha triumphans \u00e4r en levande, andf\u00e5dd musikupplevelse som charmar, r\u00f6r och stannar kvar i minnet l\u00e4nge.<\/p>\n

Biljettf\u00f6rs\u00e4ljningen till konserter i Fuga sker via Kulttuurirannas f\u00f6rs\u00e4ljningstj\u00e4nst.<\/em>[\/vc_column_text][toggles style=”minimal”][toggle color=”Accent-Color” heading_tag=”h6″ heading_tag_functionality=”default” title=”Om verken”][vc_column_text text_direction=”default”]Det segrande Venedig och Piet\u00e0s specialtrupper<\/strong><\/p>\n

Juditha triumphans devicta Holofernis barbarie<\/em> (Segerrika Judit kuvar barbaren Holofernes) \u00e4r ett av Antonio Vivaldis mest popul\u00e4ra och konstn\u00e4rligt mest respekterade sakrala verk, vid sidan av Magnificat<\/em> och Gloria<\/em>. Vivaldi komponerade oratoriet f\u00f6r musikerna och musikstuderandena vid Ospedale della Piet\u00e0. Piet\u00e0 var ett av Venedigs fyra ospedale, d.v.s. \u201dv\u00e5rdhem\u201d, ett barnhem f\u00f6r \u00f6vergivna eller hemligh\u00e5llna barn och en musikskola f\u00f6r flickor, d\u00e4r Vivaldi arbetade som l\u00e4rare i violin och gamba (viola all\u2019inglese<\/em>) 1703\u201309 och 1711\u201316 samt som ledande tons\u00e4ttare (maestro de concerti<\/em>) under flera perioder mellan 1713 och 1740.<\/p>\n

Piet\u00e0s skickliga figlie di coro<\/em> bestod av endast kvinnor och flickor. De uruppf\u00f6rde oratoriet i slutet av \u00e5r 1716 eller i b\u00f6rjan av 1717. I Venedig levde man d\u00e5 i en politiskt h\u00e4ftig tid. Kriget mot ottomanerna p\u00e5gick. Venedigs flotta stred vid Habsburgarnas sida och den kristna alliansen hade precis uppn\u00e5tt kortvariga segrar p\u00e5 Peloponnesos och i Egeiska havet (slaget vid Korfu). Den upplyftande patriotiska andan h\u00f6rdes ocks\u00e5 i musiken. Gamla testamentets ber\u00e4ttelse om judinnan Judit, som besegrar de hedniska assyrierna genom att sk\u00e4ra halsen av deras h\u00e4rf\u00f6rare, passade fint f\u00f6r detta syfte.<\/p>\n

Giacomo Cassettis libretto p\u00e5 latin skiljer sig delvis fr\u00e5n ber\u00e4ttelsen i Bibeln, som ing\u00e5r i Judits bok, en del av de apokryfiska b\u00f6ckerna. Librettot utg\u00f6r en allegori \u00f6ver Venedigs politiska situation just d\u00e5. S\u00e5 h\u00e4r uttrycker Cassetti sj\u00e4lv rollerna i f\u00f6rordet till librettot: \u201dJudit \u00e4r Adria och hennes f\u00f6ljeslagare Abra \u00e4r Tron. Bethulia (sv. Betylua) \u00e4r kyrkan, den kristna alliansen; Ozias (sv. Asarja) dess \u00f6verste p\u00e5ve och ledare f\u00f6r jungfrurna. Holofernes \u00e4r turkarnas sultan, eunucken Vagaus hans general och hela den venetianska flottan gl\u00e4der sig \u00e5t en storartad seger.\u201d Det framg\u00e5r inte direkt av ber\u00e4ttelsen huruvida Judit \u00e4r en intelligent milit\u00e4r strateg, sitt hemlands \u201dhemliga vapen\u201d, som med genomt\u00e4nkt diplomati vinner fiendens f\u00f6rtroende och sedan genomf\u00f6r ett noggrant planerat specialuppdrag. Hon kan ocks\u00e5 vara en galen fanatiker, som av ett infall m\u00f6rdar en f\u00f6rsvarsl\u00f6s man. Ber\u00e4ttelsens grundbudskap \u00e4r: \u00e4ndam\u00e5let helgar medlen.<\/p>\n

Ber\u00e4ttelsen om Judit och Holofernes har tolkats som en version av kampen mellan David och Goliat, d\u00e4r den som till det yttre \u00e4r svagare med hj\u00e4lp av list och trons kraft vinner sin fysiskt m\u00e4ktige motst\u00e5ndare. Under seklens g\u00e5ng har Judit inspirerat m\u00e5nga bildkonstn\u00e4rer och tons\u00e4ttare. En kvinna som strider med b\u00e5de feminina och maskulina vapen v\u00e4ckte iver och upphetsning hos m\u00e4nniskorna, kanske en liknande tjusning som Piet\u00e0s damorkester v\u00e4ckte hos en konsertpublik som var van vid m\u00e4ns musicerande. Trots att Judits uppdrag har en tydlig sexuell underton \u2013 visst utnyttjar ju Judit sin attraktionskraft och sitt k\u00f6n \u2013 upplevdes historien om den tappra Judit som ett l\u00e4mpligt moraliskt objekt f\u00f6r kvinnor att identifiera sig med, och kanske \u00e4mnet just d\u00e4rf\u00f6r ans\u00e5gs passande f\u00f6r den klosterartade, i n\u00e5gon m\u00e5n st\u00e4ngda institutionen f\u00f6r flickor och kvinnor.<\/p>\n

Oratorierna h\u00f6rde till den centrala repertoaren vid Venedigs ospedalen i b\u00f6rjan av 1700-talet. Den sakrala musik Vivaldi komponerade f\u00f6r Piet\u00e0 \u00e4r \u201dkonserterande\u201d och betonar musikernas virtuosf\u00f6rm\u00e5ga. Till stilen \u00e4r Juditha triumphans<\/em> k\u00e4nsloladdad och operaartad, men tonspr\u00e5ket utg\u00e5r inte fr\u00e5n texten i lika h\u00f6g grad som 1600-talets venetianska kyrkomusik under Claudio Monteverdis eller Francesco Cavallis tid. Verket f\u00f6r fram det rikt instrumentala, som var nytt p\u00e5 den tiden; den omfattande instrumentbredden upplevdes f\u00f6rdjupa verkets andlighet, till skillnad fr\u00e5n slutet av 1500-talet, n\u00e4r kyrkan \u00e4nnu f\u00f6redrog renodlad vokalmusik. Juditha triumphans<\/em> f\u00f6rmedlar dramat starkt. Trots att Piet\u00e0s musiker spelade och sj\u00f6ng dolda f\u00f6r publiken ber\u00f6r verkets nyansrikedom, med allt fr\u00e5n vibrerande b\u00f6n till h\u00e4ftiga k\u00e4nsloutbrott, och med sin livfullhet skakar de fortfarande om lyssnaren.<\/p>\n

Juditha triumphans<\/em> \u00e4r komponerad f\u00f6r fem kvinnliga solister, k\u00f6r och orkester. Den utnyttjar m\u00e5ngsidigt Piet\u00e0s omfattande instrumenturval. Verket inneh\u00e5ller till exempel arior f\u00f6r viola d\u2019amore (Quando magis generosa<\/em>), mandolin (Transit aetas<\/em>), fyra teorber (O servi volate<\/em>) och gambaensemble (In somno profundo<\/em>). I en av Judits sju arior (Veni, me sequere fide<\/em>) f\u00f6rekommer klarinettens f\u00f6reg\u00e5ngare sopranchalumeau som obligatoinstrument. K\u00f6rsatserna, som Vivaldi f\u00f6rsedde med beteckningen SATB, vilket syftar p\u00e5 blandad k\u00f6r, sj\u00f6ngs vid uruppf\u00f6randet med damk\u00f6rskrafter, p\u00e5 s\u00e5 vis att tenorst\u00e4mmorna sj\u00f6ng fr\u00e5n skriven tonh\u00f6jd. Basst\u00e4mman l\u00e4mnades bort eller sj\u00f6ngs en oktav h\u00f6gre. Enligt vissa k\u00e4llor f\u00f6rekom emellan\u00e5t \u00e4ven kvinnliga bass\u00e5ngare vid Piet\u00e0, allts\u00e5 kan det ha varit m\u00f6jligt att framf\u00f6ra basst\u00e4mman \u00e4ven fr\u00e5n skriven tonh\u00f6jd.<\/p>\n

Meri Metsom\u00e4ki<\/em>[\/vc_column_text][\/toggle][toggle color=”Accent-Color” heading_tag=”h6″ heading_tag_functionality=”default” title=”Synopsis”][vc_column_text text_direction=”default”]Kung Nebukadnessar av Assyrien<\/strong> har skickat sin arm\u00e9 \u2013 under ledning av general Holofernes \u2013 f\u00f6r att bel\u00e4gra den judiska staden Betylua (eller Betulia). Inv\u00e5narna i Betylua f\u00f6rsm\u00e4ktar av hunger. \u00d6verstepr\u00e4sten Ozias (sv. Asarja) uppmanar till b\u00f6n och t\u00e5lamod. Judit, en from ung \u00e4nka, besluter sig f\u00f6r att riskera sin egen s\u00e4kerhet f\u00f6r att r\u00e4dda sitt folk. Tillsammans med sin trogna tj\u00e4narinna Abra l\u00e4mnar hon staden och ansluter sig till fiendel\u00e4gret, som en avhoppare b\u00f6nande om n\u00e5d.<\/p>\n

del I<\/strong><\/p>\n

De stridande krigsm\u00e4nnen sjunger. Assyriernas h\u00e4rf\u00f6rare Holofernes sjunger om hj\u00e4ltemod. Judit anl\u00e4nder och Holofernes tj\u00e4nare Vagaus presenterar Judit f\u00f6r Holofernes. Judit ber Holofernes avsluta kriget. Holofernes blir f\u00f6rtjust i Judit och g\u00e5r med p\u00e5 att f\u00f6rhandla. Han bjuder Judit p\u00e5 middag till sitt t\u00e4lt. Judit f\u00f6rs\u00f6ker neka och s\u00e4ger sig hellre fasta. Judits tj\u00e4narinna Abra ingjuter mod i Judit. Betyluas ungm\u00f6r ber f\u00f6r Judit.<\/p>\n

del II<\/strong><\/p>\n

Ozias ber och f\u00f6rutsp\u00e5r gott. I h\u00e4rf\u00f6rarens t\u00e4lt f\u00f6rs\u00f6ker Holofernes f\u00f6rf\u00f6ra Judit. F\u00f6r att vinna tid sjunger Abra och Judit en s\u00e5ng. Holofernes blir berusad och bek\u00e4nner Judit sin k\u00e4rlek. Holofernes somnar och Vagaus sjunger en vaggvisa f\u00f6r honom. Vagaus och Abra l\u00e4mnar Judit p\u00e5 tumanhand med Holofernes. Judit hittar Holofernes sv\u00e4rd och sk\u00e4r halsen av honom. Abra sjunger en lovs\u00e5ng, n\u00e4r Judit och Abra flyr fr\u00e5n l\u00e4gret med Holofernes huvud i bagaget. P\u00e5 morgonen hittar Vagaus kroppen och sv\u00e4r att h\u00e4mnas. Den assyriska arm\u00e9n drivs till kaos och judarnas anfall lyckas. Ozias och hela Betylua gl\u00e4der sig \u00e5t segern.[\/vc_column_text][\/toggle][\/toggles][divider line_type=”No Line” custom_height=”15″][vc_custom_heading text=”Evenemangets artister” font_container=”tag:h4|text_align:left|color:%231d4754″ use_theme_fonts=”yes”][vc_row_inner column_margin=”30px” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” top_padding=”3%” constrain_group_1=”yes” bottom_padding=”3%” top_padding_phone=”10%” constrain_group_5=”yes” bottom_padding_phone=”10%” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” 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  • Adress<\/strong>: \u00d6stra strandgatan 14, 20800 \u00c5bo<\/li>\n
  • Kollektivtrafik<\/strong>: H\u00e5llplatser i centrum ligger i n\u00e4rheten. De n\u00e4rmaste h\u00e5llplatserna \u00e4r p\u00e5 Slotssgatan och Kaskisgatan.<\/li>\n
  • Tillg\u00e4nglighet<\/strong>: Kommer snart.<\/li>\n
  • Parkering<\/strong>: Begr\u00e4nsat antal parkeringsplatser finns bakom Virastotalo.<\/li>\n<\/ul>\n <\/div>[nectar_btn size=”large” open_new_tab=”true” button_style=”regular” button_color_2=”Extra-Color-3″ icon_family=”none” text=”Busstidtabeller (F\u00f6li.fi)” margin_top=”5″ url=”https:\/\/www.foli.fi\/fi\/aikataulut-ja-reitit”][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text text_direction=”default”]