{"id":14554,"date":"2024-08-06T12:19:40","date_gmt":"2024-08-06T09:19:40","guid":{"rendered":"https:\/\/turunmusiikkijuhlat.fi\/?p=14554"},"modified":"2024-08-13T12:18:35","modified_gmt":"2024-08-13T09:18:35","slug":"blogg-om-heterokronins-uppkomst-2","status":"publish","type":"post","link":"https:\/\/turunmusiikkijuhlat.fi\/sv\/blogg-om-heterokronins-uppkomst-2","title":{"rendered":"Blogg: Om Heterokronis uppkomst 2"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”BLOGG: OM HETEROKRONINS UPPKOMST 2″ font_container=”tag:h2|text_align:left|color:%23bc9634″ use_theme_fonts=”yes” css=””][vc_custom_heading text=”06.08.2024″ font_container=”tag:h4|text_align:left|color:%23ee92c2″ use_theme_fonts=”yes” css=””][divider line_type=”No Line” custom_height=”30″][image_with_animation image_url=”14537″ image_size=”full” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_column_text css=”” text_direction=”default”]Bild: Heli Sorjonen[\/vc_column_text][vc_custom_heading text=”Tre synvinklar till att bygga upp en residenskonstn\u00e4rsperiod vid \u00c5bo musikfestspel” font_container=”tag:h4|text_align:left” css=””][divider line_type=”No Line” custom_height=”15″][vc_column_text css=”” text_direction=”default”]I en serie bloggar ger \u00c5MFs residenskonstn\u00e4r Aliisa Neige Barri\u00e8re allm\u00e4nheten en n\u00e4rmare inblick i bakgrunden till sin konserttrilogi 2024 och hur hon har f\u00f6rberett den. I den f\u00f6rsta delen diskuterar Barri\u00e8re Ekots temperament, som kommer att framf\u00f6ras p\u00e5 Konstkapellet den 13 augusti.<\/strong>[\/vc_column_text][vc_custom_heading text=”Ekots temperament” font_container=”tag:h4|text_align:left” css=””][divider line_type=”No Line” custom_height=”15″][vc_column_text css=”” text_direction=”default”]Med konserten Resonant Humours<\/strong> (Ekots temperament) ville jag skapa harmoni.<\/p>\n

Tv\u00e5 v\u00e4rldar m\u00f6ts vid konserten: ren\u00e4ssanstons\u00e4ttaren Tobias Humes<\/strong> (1579\u20131645) Musicall Humours, <\/em>ursprungligen komponerad f\u00f6r viola da gamba och Kaija Saariahos<\/strong> (1952\u20132023) f\u00e4rgstarka duo Concordia<\/em> (\u2018harmoni\u2019 p\u00e5 latini).<\/p>\n

Concordia \u00e4r komponerad f\u00f6r cellisten Jakob Kullberg och mig. Efter att ha bes\u00f6kt Jakobs festival Open Strings 2013 var Kaija entusiastisk \u00f6ver hur naturligt vi tv\u00e5 spelade ihop trots v\u00e5r \u00e5ldersskillnad. I Concordia<\/em> sammansm\u00e4lter hennes omedelbart igenk\u00e4nnbara musikaliska spr\u00e5k och v\u00e5ra personligheter. N\u00e4r verket var f\u00e4rdigt ville Jakob och jag leta fram n\u00e5got som par till det. Av n\u00e5gon anledning blev det tal om Jordi Savalls inspelning av Tobias Humes gambasamling Musicall Humours<\/em>, och vi b\u00f6rjade fundera om man kunde arrangera de h\u00e4r styckena f\u00f6r violin och cello.<\/p>\n

Jag f\u00f6reslog fem stycken ur Humes samling och till min gl\u00e4dje valde arrang\u00f6rerna precis de stycken jag t\u00e4nkt mig! Vi bad Kaija g\u00f6ra ett arrangemang och tillsammans med Jakob arrangerade vi b\u00e4gge en duo och ett solo.<\/p>\n

\u2019Touch me lightly<\/em>\u2019 \u00e4r ett arrangemang av Kaija, d\u00e4r hennes sensitiva och s\u00e4regna avtryck k\u00e4nns.<\/p>\n

Jakobs arrangemang \u2019The Soldier\u2019s Resolution<\/em>\u2019 \u00e4r d\u00e4remot b\u00e5de ostyrig och rolig. Mitt eget arrangemang \u2019Good Again<\/em>\u2019 lutar mer mot historiska k\u00e4llor (n\u00e4r jag gjorde den f\u00f6rsta skissen var jag 23 \u00e5r gammal och \u00e4nnu mitt i mina studier) och best\u00e5r av en nedtecknad improvisation ovanp\u00e5 en varm och f\u00e4rggrann sats.<\/p>\n

\u2019A Question<\/em>\u2019 och \u2019An Answe<\/em>r\u2019 \u00e4r solostycken men har karakt\u00e4ren av dialog. H\u00e4r v\u00e4nde vi upp och ner p\u00e5 v\u00e5ra roller, f\u00f6r n\u00e4r jag arbetar med Jakob k\u00e4nns det alltid som om han st\u00e4ller en massa fr\u00e5gor. Jag tyckte allts\u00e5 det var dags att byta roller!<\/p>\n

F\u00f6rsta satsen i verket Concordia, \u2019Tuning\u2019, <\/em>leker med att st\u00e4mma str\u00e5kinstrument mot perfekt harmoni. Som namnet s\u00e4ger \u00e4r \u2019Traveling\u2019<\/em> st\u00e4ndigt i r\u00f6relse, violinen och cellon rymmer st\u00e4ndigt ifr\u00e5n varandra, \u00e4ven om de stundvis m\u00f6ts i unisono.<\/p>\n

\u2019Mist\u2019<\/em> uppstod som ett karikerat sj\u00e4lvportr\u00e4tt. N\u00e4r vi planerade Open Strings-festivalen ber\u00e4ttade vi f\u00f6r Kaija att Jakob ofta anv\u00e4nde ordet \u201datmosf\u00e4risk\u201d f\u00f6r att beskriva Kaijas l\u00e5ngsamma satser n\u00e4r han planerade konsertuppl\u00e4gget. Det roade Kaija, och s\u00e5 uppstod ’Mist, <\/em>med karakt\u00e4rsbeteckningen \u2018atmosferico\u2019.<\/p>\n

\u2019Dual\u2019<\/em> \u00e4r humoristisk, vilket umg\u00e4nget med Jakob ofta \u00e4r. Den inneh\u00e5ller ocks\u00e5 en rej\u00e4l dos jazz!<\/p>\n

\u2019Sursum corda<\/em>\u2019 \u00e4r verkets gl\u00e4nsande avslutning. Den inleds med f\u00f6rkrossande, glimmande v\u00e5gor men avdunstar s\u00e5 sm\u00e5ningom. Slutets sista himmelska fragment p\u00e5minner oss om hur br\u00e4cklig v\u00e5r resa \u00e4r men leder \u00e4nd\u00e5 till katarsis. Instrumenten har uppn\u00e5tt fullst\u00e4ndig harmoni och sammansmultit med luften.[\/vc_column_text][vc_custom_heading text=”A” font_container=”tag:h4|text_align:left” css=””][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ 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