{"id":21407,"date":"2025-08-01T18:00:05","date_gmt":"2025-08-01T15:00:05","guid":{"rendered":"https:\/\/turunmusiikkijuhlat.fi\/?post_type=tapahtuma&p=21407"},"modified":"2026-01-29T09:52:55","modified_gmt":"2026-01-29T07:52:55","slug":"opening-weekend-claire-chase-the-holy-liftoff","status":"publish","type":"tapahtuma","link":"https:\/\/turunmusiikkijuhlat.fi\/en\/event\/opening-weekend-claire-chase-the-holy-liftoff","title":{"rendered":"Terry Riley & Claire Chase: The Holy Liftoff"},"content":{"rendered":"[vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”none” equal_height=”yes” content_placement=”middle” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” advanced_gradient_angle=”0″ 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tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” gradient_type=”default”][vc_custom_heading text=”OPENING WEEKEND” font_container=”tag:h3|text_align:left|color:%23ffffff” use_theme_fonts=”yes” css=””][vc_custom_heading text=”TERRY RILEY & CLAIRE CHASE” font_container=”tag:h1|text_align:left|color:%23bc9634″ use_theme_fonts=”yes” css=””][vc_custom_heading text=”THE HOLY LIFTOFF” font_container=”tag:h2|text_align:left|color:%23bc9634″ use_theme_fonts=”yes” css=””][vc_custom_heading text=”01.08.2026 | 18:00″ font_container=”tag:h4|text_align:left|color:%23ffffff” use_theme_fonts=”yes” css=””][vc_custom_heading text=”Turku City Theatre, Main Stage” font_container=”tag:h4|text_align:left|color:%23ffffff” use_theme_fonts=”yes” css=””][nectar_btn size=”medium” open_new_tab=”true” button_style=”regular” button_color_2=”Extra-Color-1″ icon_family=”none” text=”Tickets” margin_top=”30″ margin_right=”15″ url=”https:\/\/liput.tkteatteri.fi\/fi\/buyingflow\/tickets\/15260\/14848\/”][nectar_btn size=”medium” button_style=”regular” button_color_2=”Extra-Color-3″ icon_family=”none” text=”Info” margin_top=”30″ url=”#info” margin_left=”0″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”50px” column_direction=”default” column_direction_tablet=”column_reverse” column_direction_phone=”column_reverse” scene_position=”center” top_padding=”3%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color=”#1d4754″ background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” font_color=”#ffffff” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” advanced_gradient_angle=”0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” gradient_type=”default”][vc_custom_heading text=”Program” font_container=”tag:h4|text_align:left|color:%23ffffff” use_theme_fonts=”yes”][vc_column_text css=”” max_width=”600″ text_direction=”default”]Claire Chase<\/strong>, flute
\nTMF Quartet:<\/strong>
\nKreeta-Julia Heikkil\u00e4<\/strong>, violin
\nPhilip Zuckerman<\/strong>, violin
\nHanna Hohti<\/strong>, viola
\nMarkus Hohti<\/strong>, cello<\/p>\n

TERRY RILEY (1935\u2013):<\/strong>
\nThe Holy Liftoff (2024)[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” font_color=”#1d4754″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” advanced_gradient_angle=”0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” gradient_type=”default”][vc_row_inner column_margin=”30px” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bottom_padding=”3%” top_padding_phone=”10%” constrain_group_5=”yes” bottom_padding_phone=”10%” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”padding-5-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color=”#bc9634″ background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” advanced_gradient_angle=”0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” gradient_type=”default”][vc_custom_heading text=”Tickets 59 | 54 | 34 \u20ac” font_container=”tag:h4|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=””][vc_custom_heading text=”Duration 1 h, no intermission” font_container=”tag:h4|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=””][\/vc_column_inner][\/vc_row_inner][vc_column_text css=”” text_direction=”default”]Experience an extraordinary journey into Terry Riley’s<\/strong> musical world as Claire Chase<\/strong> performs the European premiere of the multi-layered work The Holy Liftoff<\/em> together with the TMF Quartet<\/strong> as part of TMF’s opening weekend!\u00a0The TMF Quartet consists of four top Finnish musicians: Kreeta-Julia Heikkil\u00e4, Philip Zuckerman, Hanna Hohti <\/strong>and Markus Hohti<\/strong>.<\/p>\n

Riley created The Holy Liftoff<\/em> through hand-drawn, colorful, and humorous musical sketches, in which angels, space, and surreal characters float among the musical notes. These drawings gave rise to an extensive work whose composition combines a Beatles-esque repetitive motif, graphic interpretation, and transcribed material. Together with composer Samuel Clay Birmaher<\/strong>, Chase has arranged the soundscape of the drawings for eight flutes and a string quartet, which will be heard for the first time in Europe in the summer of 2026.<\/p>\n

The work begins with a dreamlike, serene chorus of flutes, which gradually grows into a colorful soundscape. In his work, Riley depicts nature, the air, and birdsong, and the repetitive rhythm builds an unstoppable foundation that carries the listener toward an ever-rising, hopeful mood. At its deepest level, the work deals with loss and longing: Riley recalls the tragedy of Uvalde, and the music rises from grief toward light and recognition.<\/p>\n

The Holy Liftoff<\/em> is not only a compositional innovation but also an atmospheric journey in which Chase’s virtuosity, together with the skilled TMF Quartet, brings the composer’s sketch-like vision to life. This concert invites its audience to rise on the wings of the mind, melody, and imagination toward something greater, brighter, and more communal.[\/vc_column_text][toggles style=”minimal”][toggle color=”Accent-Color” heading_tag=”h6″ heading_tag_functionality=”default” title=”Introduction of works”][vc_column_text css=”” text_direction=”default”]Few composers can justifiably be called the father of an entire musical genre. However, American composer Terry Riley<\/strong> fits the description. His 1964 composition In C<\/em> encapsulated, through its endless, hypnotic repetition, something that soon came to be known as minimalism<\/em>.<\/p>\n

Since that milestone, Riley’s composing career has continued for over 60 years. It received a fresh addition in 2024, when flutist Claire Chase commissioned a new work for her mammoth Density 2036<\/em> project. The result was The Holy Liftoff<\/em>, an hour-long piece dominated by a solo flute conversing with recorded sounds of flutes, stones, and wind. Samuel Birmer’s string quartet part is just one possibility for the realization of the work \u2013 in typical Riley fashion, the music is not written as a traditional score, but as a series of separate musical fragments, with the composer providing instructions for their repetition.<\/p>\n

The score of The Holy Liftoff is exceptional in other ways too. The manuscript does not consist solely of notes, but is filled with cartoon characters drawn in colored pencils in imaginative poses floating around the staves. According to Riley, they are “meant to be played”: a musician who sees the drawings understands what kind of person he is and how he wants his music to sound.<\/p>\n

The masterpiece begins with a gentle chorale. The flute blends into the backdrop of flutes and repeats a chord progression that is taken over by a string quartet after a couple of minutes. The music is repetitive but ever-changing: Riley’s minimalism does not follow machine-like mathematical operations, but breathes freely and creates a pastoral atmosphere.<\/p>\n

Riley, who lives in Japan, has given the section that begins after eight minutes the name “C Major Ishi.” Ishi<\/em> means stone in Japanese \u2013 that is, a stone in C major. Its cheerful chatter turns into a lament in the E-flat minor ishi that begins with a cello and violin duet. The name of each new section is announced by the composer at the beginning.<\/p>\n

The darkest dimensions of the composition are revealed in the section “The Tragedy of What We Lost.” The haunting melody fragments of the flute are met with a solemn, repeated response from the strings. The names of each of the victims who died in the 2022 school shooting in Uvalde, Texas, are written in the score. The string chord progression is repeated 21 times, in memory of the 19 students and two teachers.<\/p>\n

Rising from the depths of grief, the music soars to the heights of birdsong. The “All Arise” section sparkles with energy. Finally, the music calms down and the choral theme from the beginning returns in the section “Liftoff Harmony.”<\/p>\n

The word “liftoff” is used, for example, to describe the moment when a rocket launches, when the spacecraft leaves the Earth’s surface and heads into the distance. Terry Riley is also aware that his own departure is near. In an interview with essayist Jenny Judge prior to the premiere in 2024, he states: “I feel that this work brings together many things I have been working on.” Riley has found a way to express his musical ideas without shackling performers who are intelligent enough to see how his work is presented. “It doesn’t have to be my idea, as long as it ignites a fire in them.”<\/p>\n

The composer believes that each of Claire Chase’s performances will be different. The work continues to evolve with its performers. How it will change cannot be known in advance. For Terry Riley, composing is a constant search, “rushing forward with the lights off, trusting in what is in the darkness.” “If we know exactly what we are doing, we are not doing it right.”<\/p>\n

Lauri M\u00e4ntysaari[\/vc_column_text][\/toggle][\/toggles][divider line_type=”No Line” custom_height=”15″][vc_custom_heading text=”Event’s artists” font_container=”tag:h4|text_align:left|color:%231d4754″ use_theme_fonts=”yes” css=””][vc_row_inner column_margin=”30px” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” top_padding=”3%” constrain_group_1=”yes” bottom_padding=”3%” top_padding_phone=”10%” constrain_group_5=”yes” bottom_padding_phone=”10%” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” 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  • Address<\/strong>: It\u00e4inen Rantakatu 14, 20800 Turku<\/li>\n
  • Public transport: <\/strong>Close to all stops in the city centre. The closest bus stops are Linnankatu and Kaskenkatu.<\/li>\n
  • Accessibility:<\/strong> The theatre is accessible. Accessible parking near the main doors on It\u00e4inen Rantakatu. You can stop but not park in front of the theatre.<\/li>\n
  • Parking:<\/strong> Limited parking spots behind the Virastotalo.<\/li>\n<\/ul>\n <\/div>[nectar_btn size=”large” open_new_tab=”true” button_style=”regular” button_color_2=”Extra-Color-3″ icon_family=”none” text=”Bus timetables (F\u00f6li.fi)” margin_top=”5″ url=”https:\/\/www.foli.fi\/fi\/aikataulut-ja-reitit”][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]